David Chaim Smith
Over the next seven years David studied the Golden Dawn system and worked within several Lodges, but in 1997 he set aside both this structured approach and all activities with his visual art to take residence in a gnostic Hermitage in the American midwest. In his studies there he found new methodologies, most notably those for approaching a non-dual perspective via a Gnostic-tantra praxis.
David returned to New York in 1998 and immersed himself in Chassidic mysticism and traditional Hebrew Kabbalah. This he embraced through the devotional approach of Breslov, and it was here he made a profound inner connection through the meditative praxis of ‘Hitbodedut.’
In 1999 David encountered The Fountain of Wisdom, a text that has survived as a 13th century manuscript in the Vatican Library. He worked with the text for many years, drawing from his experiences as an ecstatic visionary artist. In 2004 he made a breakthrough in interpretation with the development of ‘graphic maps,’ and within a few years had reached a degree of fluency that allowed him to transfer their syntax and visual vocabulary to works of art. His series of drawings such as Machinery of the Apparitional Playground (2007-2008), Blood of Space (2008-2009) and The Sacrificial Universe (2009 to date) are numinous examples of his progress. As a writer and artist whose creative engine is fuelled by a devotional approach to ecstatic visionary mysticism, a unique dimension of David’s work stems from aspects of ideational contemplation considered as a mystical path.
David has self-published material in the past, but his most recent work has been for others, most notably The Kabbalistic Mirror of Genesis (Daat Press, 2010) and an essay entitled ‘The silence that speaks’ in John Zorn’s excellent Arcana V (Tzadik, 2010). He has held exhibitions at the Cavin Morris Gallery, NYC, (2010) and at the Andre Zarre Gallery, NYC, (1995).
copyright © Robert Ansell, 2011