If you add to these words a probable origin of the ‘Orryelle’ spelling, the name becomes a clear description of both mage and Magick. An orrery is an apparatus showing the relative positions and motions of bodies in the solar system by balls moved by wheelwork.
The one who created and wears this name is an Australian person of many parts, arts and hearts who enjoys a life of Initiations, receiving and bestowing them as he goes. As a window, Orryelle transmits light (and shadow) through drawing, writing, performance art, body- mind- and spirit- modification, extreme travels, music, and the ability to attract and work with kindred spirits around the world.
Also as a window, Orryelle’s magick can help those who meet him to be launched up and out into new realizations and manifestations, thrown out of the window of common knowledge and common sense and into new ways of seeing. The Bascule part assists the window part as a matter of operational balance through counterweights. Magick requires engineering skills to build sets and props for ritual theater, both in a designated performance space as well as astrally.
Among the influences on Orryelle’s magick are the Magickal Children of Austin Osman Spare, especially Chaos Magick, sigil-making and the shamanic services of bringing back visions and their wisdom to the tribe in dance, or chant, or symbol. Another major facet of this succession from Spare is the descent of the Silver Dusk, a lunar, arachnean, artistic and intuitive response and counterpoint to the more solar and structured magick of the Golden Dawn and their heirs.
He is his own Materia Magicka, his physical body a palimpsest of his workings traced in tattoos, piercings, and, in one set of photos, a pair of wings. Orryelle has manifested his anima physically through hormone elixirs and body modification and has held an Alchemical Marriage with hirself, making a charming couple indeed.
The instruments of Orryelle’s arts and magicks include, but aren’t limited to: The Metamorphic Ritual Theatre Company, which presents public rituals aiming to transform rather than merely entertain the audiences; the ever-expanding digital archives and galleries of The Mutation Parlour; and the The HermAphroditic ChAOrder of the Silver Dusk, a global multicultural and multisubcultural blend of tradition and innovation.
Orryelle co-developed with other ChaOrder initiates The Choronzon Machine, a Ritual Opera and musickal-mechanical-magickal device for generating analogue fractals; is a co-coordinator of iNSPiRALink. Multimedia Press; is editor of this IMPress’s SilKMilK MagiZain, and creator of The BOOK of KAOS Tarot Deck.
In the last eight years or so Orryelle has been extensively involved in The Horus-Maat Lodge, channeling several double- current Libers such as Pennae-Ultim-Atum and The Book of Going Back by Night. Other affiliations and initiations include the AdiNath tantric tradition, the EOD, the SSS and the I:.I:. He is also the Australian ambassador of The Dionysian (Down-)Underground.
Orryelle knows what he’s doing and he does it well. Spending time and practice with his works is a good investment, in my opinion. I had the pleasure of holding a rite with him and a colleague at the Serpent Mound in Ohio a few years ago as part of his visiting holy/power places worldwide. His words and actions were appropriate and well-chosen, the power rose without delay, and the charge was sent strongly and cleanly.
I’ve adopted his use of chanting a note for each of the major Chakras to a western scale, ascending and descending depending on which direction one’s heading at the time. The Chakra-tone chant works well for banishments, astral transportation, and attunements of various kinds. (Like musicians, magickians don’t steal from each other; they only borrow.)
Copyright © Nema/Maggie Ingalls, Horus-Maat Lodge, 2007
Written for Fulgur and reproduced with kind permission