The Sacrificial Universe

The Sacrificial Universe

£35

The Sacrificial Universe

David Chaim Smith

small folio (335 x 235mm)
120 pages, 35 full-page plates including five large folding triptychs and a quadriptych, 28 vignettes in text, custom endpapers

Deluxe Issue £150.00 SOLD OUT
88 hand-numbered copies only, signed by the author, dark grey morocco-backed cloth boards, blocked in blood red, dust-jacket and lined slip-case

Standard Issue £35.00
800 copies only, rich dark grey cloth, blocked in blood red, dust-jacket

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Product Description

David Chaim Smith has been known to students of kabbalah for more than a decade, but a recent return to art as a vocational practice has brought his work to a wider audience. His first book with us, The Sacrificial Universe, draws upon his experience to present us with a devotional approach to ecstatic visionary mysticism. Ranging from intellectual treatises on sacred geometry, biomorphism and the symbol of the serpent in kabbalistic theory and practise, to a poetic twilight language of ecstatic devotion, The Sacrificial Universe is unlike any other book we have offered to date.

Produced as a lavish small folio with generous margins and a classic typographic style, The Sacrificial Universe presents David’s key artworks of the last four years as full-page images, with the triptychs and quadriptych offered as folding plates. The complex and evocative iconographic symbolism is also explored through commentaries. And yet The Sacrificial Universe is more than a homage to those seventeenth century books of hermetic mysticism. Structured according to the classic kabbalistic text Sefer Yetzirah, The Sacrificial Universe may be approached on three levels (world, year, and soul) to offer the reader a view of gnostic surrender within a vision of the self-consuming nature of phenomena.

Additional Information

Edition:

Standard, Deluxe

Biography

David Chaim Smith (b.1964) is an artist and writer based in Brooklyn, New York. He was educated locally and attended Rhode Island School of Design where he gained a BFA in drawing. In 1989 he graduated from Columbia University with his Masters.

Even from early days, David has sought to challenge convention. His younger years were at times turbulent, but through a process of introspection David began to develop his skills as a draughtsman, mapping his internal universe symbolically. These ‘gnosimes’ (as he terms them) deepened his interest in exploring such occluded worlds, and subsequent to graduating from Columbia David began an intensive study of alchemy and Western Ceremonial Esotericism.

Over the next seven years David studied the Golden Dawn system and worked within several Lodges, but in 1997 he set aside both this structured approach and all activities with his visual art to take residence in a gnostic Hermitage in the American midwest. In his studies there he found new methodologies, most notably those for approaching a non-dual perspective via a Gnostic-tantra praxis.

David returned to New York in 1998 and immersed himself in Chassidic mysticism and traditional Hebrew Kabbalah. This he embraced through the devotional approach of Breslov, and it was here he made a profound inner connection through the meditative praxis of ‘Hitbodedut.’

In 1999 David encountered The Fountain of Wisdom, a text that has survived as a 13th century manuscript in the Vatican Library. He worked with the text for many years, drawing from his experiences as an ecstatic visionary artist. In 2004 he made a breakthrough in interpretation with the development of ‘graphic maps,’ and within a few years had reached a degree of fluency that allowed him to transfer their syntax and visual vocabulary to works of art. His series of drawings such as Machinery of the Apparitional Playground (2007-2008), Blood of Space (2008-2009) and The Sacrificial Universe (2009 to date) are numinous examples of his progress. As a writer and artist whose creative engine is fuelled by a devotional approach to ecstatic visionary mysticism, a unique dimension of David’s work stems from aspects of ideational contemplation considered as a mystical path.

David has self-published material in the past, but his most recent work has been for others, most notably The Kabbalistic Mirror of Genesis (Daat Press, 2010) and an essay entitled ‘The silence that speaks’ in John Zorn’s excellent Arcana V (Tzadik, 2010). He has held exhibitions at the Cavin Morris Gallery, NYC, (2010) and at the Andre Zarre Gallery, NYC, (1995). His new book, The Sacrificial Universe, explores recent themes in his graphic work and is due for publication on March 23rd, 2012.

Copyright © Robert Ansell, 2011

5.00 out of 5

2 reviews for The Sacrificial Universe

  1. 5 out of 5

    (verified owner) – :

    I ordered this book last week and it arrived in four days (two after the conformation email). The small pictures on the website do not do the sheer quality of the printing of the pictures justice. These drawings are in pencil and you can see literally (and yes i am using it correctly) every individual pencil stroke that makes up these art works. To describe this as a “standard edition” is self effacing to the point of insulting to the author and the people who worked so hard to produce and print this book which is a piece of ART in itself. As i’ve only had it for a few days i can’t go into much detail on the written content, suffice to say that the first chapter chimes with my personal research of the the past 26 years but has already given me much food for thought.
    Included with my book(my first order) were three postcards printed by Fulgur and a little booklet on the history of Fulgur. Thanks very much for these freebies. I have recommended this publisher to my friends.

  2. 5 out of 5

    :

    The Sacrificial Universe elucidates a world foreign to most people. Like Blake’s Job, Freher’s Boheme, or the more interesting 17th century alchemical manuscripts, the images invite us to interact with them and immerse ourselves within. David’s Kabbalah is centered around the concept of radical unity. Esoteric symbols function like pregnant living currency through which spiritual development becomes possible. These are esoteric schematics that outline different aspects of gnostic aspiration and realization. They also contain snippets of ecstatic poetry as well as detailing innumerable symbolic relationships, associations, and attributions, all distilled through the incredible mind of this unique and gifted inspirational teacher and artist. The book makes clear that realization is possible, but there’s a price. The production of the book is itself, like all Fulgur’s books, a work of art, in it’s own right. This is the largest book they have produced to date. I could not recommend it more highly, whatever tradition you’re working in.

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